I work mostly in drawing and occasionally in watercolor or oil painting. My artistic practice focuses on themes related to drawing, corporeality, abstraction and historical pictorial language.
In a somewhat roundabout way, I am investigating what lies between representation and abstraction, between lightness and heaviness, and between beauty and ugliness. I am fascinated by the history of the human body, and the changing visual language used in its display and depiction. By quoting and misquoting from both historical artworks and anatomical sources, combined with observations 'from life' and invented elements, my work implies an uncomfortable, experimental narrative in which the boundaries between realness and invention and those between past and present are blurred.